Both artists employ data as material, which is then deconstructed and re-schematized into patterned complexes or hyper-mediated data sets. At times redolent of cartography, lotto drawings, or blueprints, their works are also a latticing of states: beautifully dissected, sutured, and reframed data centers. These refigured schematics exploit the allure of infographics and repackage the baroque boondoggle of spreadsheets into new cryptographs.